Works with a shoe lace and my own right hand.
Sigo los pasos de aquellos caballos que me vieron nacer. La inercia de un salto la presento en mi juego. Yo soy caballero con sombrero y cordón. Ato mis zapatos y embargo mi presencia. La cambio por un bien más allegado y lleno de gracia. Aquello que yo llamo flujo y que remueve mis entrañas hasta retornar al pasado. A un pasado oscuro y bello. Crezco. Y me veo crecer. Aquí lo tenéis. La más pura belleza. La belleza del movimiento. Alcanzada tan solo por los grandes maestros del juego. Los recién nacidos y algunos ancianos, entre los que incluyo; por supuesto, a mi querida y admirada abuela.
The human experience is a complex structure formed by layers and layers of constructs, concepts and ideas. These are a trademark of the human being. However, origins let you take various paths, and reflection should always fall into simplicity
. The idea behind my studies on relief
, is to mechanize beauty as a logical outcome to the creative process.
As a psychology student, I have a tendency to explaining things like emotions or affection. Things which can only be known by nature. This is where all of our secrets are hidden. This leads me to believe that answers are all around us, beneath all those layers of human trademarks.
Of course, there is nothing more natural as the act of playing. This is why the early stages in any being’s life involve a huge amount of playing, in other words, experimenting
. This is because curiosity
is found at the essence of one’s being. And the reward is rich. This prize is the discovery. What I found with these studies on relief is that there’s beauty that can be found out of any circumstance. In this particular example, I find myself playing with a shoe laze whilst I document how this game evolves into something abstract, and in my opinion, beautiful
. This is the only mission, finding some kind of beauty.
BROK 